Chicago’s Iconic 63rd Street Beach Drummers Displaced After 50 Years

For over 50 years, the rhythmic heart of Woodlawn has beaten strong on 63rd Street Beach. But now, the iconic drum circle has been silenced. New Park District changes have shut out these beloved musicians, sparking community concern and a fight to protect a vital cultural landmark. What does this mean for Chicago’s vibrant lakefront culture?

Chicago’s Iconic 63rd Street Beach Drummers Displaced After 50 Years

For over half a century, the 63rd Street Beach Drummers have been an integral part of Woodlawn’s cultural fabric, transforming a simple painted circle on the lakefront into a vibrant hub of rhythm and community. Since 1970, this iconic drum circle has served as a daily gathering point for musicians and enthusiasts, attracting thousands and earning widespread recognition as a cherished Chicago cultural institution, deeply rooted in the city’s rich musical heritage and community spirit.

However, the familiar sounds of rhythmic drumming have recently fallen silent at their longtime gathering spot after the Chicago Park District implemented significant changes at 63rd Street Beach. The area traditionally used by the drummers, marked by a distinctive red, black, and green circle, has been sectioned off by fencing, while a new gated parking system with increased rates has been installed, effectively displacing the beloved musical collective.

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According to Park District spokesperson Irene Tostado, these measures are part of a pilot program aimed at “improving the parking system” and addressing “public safety concerns,” including issues of unauthorized vending and low compliance with existing pay-to-park regulations. Additionally, the fencing has been cited as a preventative measure to deter vehicles from driving and parking on the surrounding lawn, indicating a broader effort to manage the lakefront space more rigorously.

The current situation echoes past challenges faced by the drummers, who relocated to 63rd Street Beach in 1970 after a contentious incident at Promontory Point. Their resilience and importance were further cemented in 1985 when Mayor Harold Washington officially declared the site a cultural landmark. Longtime drummer and activist Will Crosby, a veteran of these historical moments, views the new restrictions as a shift from an “open park system” to a “gated” one, reminiscent of earlier controversies over park parking fees.

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Beyond its musical significance, the 63rd Street drum circle represents a profound cultural and spiritual space, advocating for healing and heritage within the community. Drummers emphasize its connection to the Black Arts Movement of the 1960s and ’70s, celebrating African and Latin rhythms passed down through generations. This rich tapestry of sound and history was even recognized in 2008 by the Metropolitan Planning Council for its ability to bring the space alive, transforming a silent path into a vibrant cultural center.

A critical point of contention among the drummers and local community leaders is the apparent lack of prior notification regarding these significant changes. Debra Lawson, who organized the 63rd Street Drummers Affiliation, and Jackson Park Advisory Council president Michael Scott both reported not being informed. This perceived lack of communication has fueled concerns that the cultural contributions of the drum circle are being overlooked or even threatened with erasure.

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In response to the community’s outcry, local Alderman Yancy has engaged with the Park District, seeking an accommodation that might minimize or eliminate parking fees for the drummers. Yancy, a long-time admirer of the group often referred to as “Bongo Beach,” has also expressed interest in creating an installation to memorialize their contributions and developing programs to foster a new generation of drummers, aiming for a lasting resolution that honors their legacy.

While the immediate future of the 63rd Street Beach Drummers remains uncertain, the Chicago Park District has indicated its willingness to engage, stating they “welcome and value” the drummers and “would be happy to discuss ways to support their continued presence.” This suggests a potential path forward, where dialogue and mutual understanding could help preserve a cherished cultural institution for future generations to enjoy.

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